Dragon Ball is a long-running franchise in both manga and anime. It's a popular property in each medium, with the latter mostly remaining faithful to the former. The onscreen adaptations maintain the essence of the written work. That said, there are some notable differences.

Certain arcs play out differently in the Dragon Ball manga. These deviations stem from a variety of factors, from format to scheduling to simple creative liberties. Whatever the reason, the anime diverges from Akira Toriyama's original vision. This undoubtedly hurts it in places. Fans ought to read these parts instead of watching them. It takes more effort, but it's ultimately more rewarding.

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5 Pilaf Saga

Baby Gamera in Dragon Ball

The franchise's first saga deals with the initial quest for Dragon Balls and the eventual run-in with Emperor Pilaf. As is often the case, the series has a few growing pains. That's doubly so for the show. Though it's mostly an enjoyable journey, this debut arc is notably different from the rest of the series.

Toriyama is still operating on his Dr. Slump mindset. He loves silly subversion and satire, so the story has a lot more winks and self-aware gags. These jokes land better on the page than they do onscreen. Whenever the show attempts these zingers, the timing is clunky. The localization doesn't help, either. These factors mean much of the humor lands with a thud.

4 Ginyu Saga

Jeice, Burter, and Goku in Dragon Ball Z

Largely a victim of production, the Ginyu Saga had a rough journey to get to western audiences. The initial English broadcast of Dragon Ball Z came courtesy of the Ocean Group, but these guys only got to the point where Goku lands on Planet Namek and takes on the Ginyu Force. The series stagnated in re-runs before finally continuing in the hands of Funimation. The trouble wasn't over, though.

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Not only were the music, sound, and localization different, but the new voice actors clearly weren't comfortable with their characters. In fact, most of them did impressions of their Ocean counterparts, leading to stilted line deliveries. That remained a problem even after the more experienced Funimation went back and dubbed earlier episodes, as the quality of their performances suddenly goes downhill upon reaching the Ginyu arc. All in all, it's a bump in the road.

Obviously, the manga doesn't have that awkward transition. The result is a far smoother experience.

3 Great Saiyaman Saga

Great Saiyaman in Dragon Ball Z

Many fans frown on the Great Saiyaman Saga. Not only do they have to sit through Gohan's geeky antics in high school, but they must also endure his exploits as a superhero. To combat crime in the city, he takes on the alter ego of the Great Saiyaman. This flamboyant persona deals out corny catchphrases and frilly dances before collaring crooks. He leaves perps perplexed, and devotees disgusted.

The journey is somewhat more tolerable in the manga. Part of that is due to getting through it at a faster rate. More importantly, though, the format is more appropriate. Toriyama once again falls back on satire, and the Great Saiyaman is his take on superheroes. The character even boasts many of the same tropes as Spider-Man. The author is blatantly mocking the inherent silliness of costumed crime-fighters, and these jabs are usually funnier on the page for the same reasons as the Pilaf Saga. In addition, it's more fitting since superheroes originate from comics. The manga medium is a natural complement.

2 Buu Saga

Babidi and Buu in Dragon Ball Z

The final major saga (or sagas) in Dragon Ball Z has to do with Majin Buu. While it has plenty of great moments, it's undoubtedly the weakest in terms of storytelling. The narrative here has some serious pacing issues. There are long stretches where little is happening; the heroes are either hiding or out of commission entirely. These flaws cause the whole plot to drag. It's clear that Toriyama was running out of ideas when writing it.

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Nevertheless, the manga is easier to consume. It doesn't take nearly as long to get through. The filler is absent, and fans can read the narrative beats instead of watching them play out. As a result, they can cover entire episodes worth of story in a few pages. The bouts of inactivity are still present, but they're significantly shorter and more bearable. Thanks to that, readers can get to the good parts sooner.

1 Tournament Of Power

Master Roshi's Ultra Instinct in Dragon Ball Super

Everyone loves a good tournament arc, especially in Dragon Ball. It's a chance for multiple characters to go at it in back-to-back brawls. These arcs aren't just mindless fighting, though. The manga understands that. Here, the Tournament of Power focuses more on strategy than might. That manifests in many memorable moments. For instance, Goku learns Ultra Instinct from watching Master Roshi. The Turtle Hermit's simple, relaxed style has always echoed the form's essence. He'd naturally benefit from his lifelong knowledge of martial arts. Contrast that with the anime, where Goku stumbles on the power-up by absorbing a Spirit Bomb. This choice exemplifies the anime's tendency to fall back on deus ex machinas. The story sometimes sacrifices logic to either raise the stakes, or make sure the main heroes look good. That's another area where the manga has the edge.

Toriyama provides more moments with his supporting cast. A highlight comes when Gohan and Frieza fight the Saiyans from Universe 6. On top of that, rather than the normal contestants, the Gods of Destruction compete in the preliminary expo. The side characters still get their time to shine in the anime, but it mostly involves grunts or minor threats. Goku and Vegeta take out the heavy hitters and get all the glory. Both versions give fans a fun time, but the manga is ultimately more satisfying due to greater variety and better writing.

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